The essay pursues the politics of Metastasian opera by examining the fortunes of La Clemenza di Tito (The Clemency of Titus) in two Russian productions, the first performed in Italian in 1742 for the coronation of Tsarina Elizabeth Petrovna, and the second sung in Russian for Tsarina Catherine II in 1778.
Game of Thrones in the Russian Empire: Metastasio Revisited for St Petersburg
Korneeva, T.
2024-01-01
Abstract
The essay pursues the politics of Metastasian opera by examining the fortunes of La Clemenza di Tito (The Clemency of Titus) in two Russian productions, the first performed in Italian in 1742 for the coronation of Tsarina Elizabeth Petrovna, and the second sung in Russian for Tsarina Catherine II in 1778.
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