The essay critically examines the artistic practice of Italian artist Tomaso De Luca (born in Verona, 1988). It highlights his exploration of the relationship between economic crises and trauma—both physical and psychological—in shaping the modern Western subject. This analysis is conducted through an in-depth review of De Luca's major works.
The Slapstick. Tomaso De Luca and the Sculpture of Trauma
Francesco RagazziWriting – Original Draft Preparation
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2020-01-01
Abstract
The essay critically examines the artistic practice of Italian artist Tomaso De Luca (born in Verona, 1988). It highlights his exploration of the relationship between economic crises and trauma—both physical and psychological—in shaping the modern Western subject. This analysis is conducted through an in-depth review of De Luca's major works.File in questo prodotto:
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