Among the traditional safe harbors that almost every Nietzsche researcher does not hesitate to repeat, is that one cannot differentiate between the philosopher and the poet in Nietzsche, because he would always be both at the same time. However, this idea atrophies into mere jargon when it has no consequences for interpreting itself. There's no point in Nietzsche in an intermediate realm between philosophy and literature, between thinking and poetry, and then interpreting his writings and posthumous notes as if they were traditional philosophical treatises. If the majority of his texts are also poems, this does not simply mean that the question of the truth content of his philosophies is initially precarious. Rather, it is a question of establishing for each interpretation the task of first describing the aesthetic invoice of the text, and then determining its relationship to the supposed content in question.
FILOSOFIA DA FORMA: ESTUDOS SOBRE ESTÉTICA E POÉTICA EM NIETZSCHE
Zittel, Claus
In corso di stampa
Abstract
Among the traditional safe harbors that almost every Nietzsche researcher does not hesitate to repeat, is that one cannot differentiate between the philosopher and the poet in Nietzsche, because he would always be both at the same time. However, this idea atrophies into mere jargon when it has no consequences for interpreting itself. There's no point in Nietzsche in an intermediate realm between philosophy and literature, between thinking and poetry, and then interpreting his writings and posthumous notes as if they were traditional philosophical treatises. If the majority of his texts are also poems, this does not simply mean that the question of the truth content of his philosophies is initially precarious. Rather, it is a question of establishing for each interpretation the task of first describing the aesthetic invoice of the text, and then determining its relationship to the supposed content in question.I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.