I aim to discuss, precisely, the notion of the portrait as Godard defines it, or, rather, as he approaches without ever getting jammed in a definition. I shall, for this purpose, decide to focalise uniquely on the modalities of showing the face of Nana.
Portrait of a Lady: Painting Emotion in Jean-Luc Godard's Vivre sa vie
Julien Zanetta
2014-01-01
Abstract
I aim to discuss, precisely, the notion of the portrait as Godard defines it, or, rather, as he approaches without ever getting jammed in a definition. I shall, for this purpose, decide to focalise uniquely on the modalities of showing the face of Nana.
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