Simmel’s sociological approach and gnoseological conception are often criticized for their aestheticized character and lack of a systematic method. I investigate the specific meaning of the “artistic” approach in Simmel’s gnoseological conception in order to outline what could be considered his implicit method of analyzing cultural and social phenomena. Subsequently, I address Simmel’s genre-related choices and writing style in order to explore their relationship with his methodological and gnoseological thought. I also consider possible links between specific aspects of Simmel’s theory of knowledge and a few elements of early German Romanticism. Finally, I suggest possible parallels between Simmel’s gnoseological and methodological thought and practice and recent epistemological approaches in human sciences.
“Art and knowledge in Simmel’s thought and writing style”
Claudia Portioli
2021
Abstract
Simmel’s sociological approach and gnoseological conception are often criticized for their aestheticized character and lack of a systematic method. I investigate the specific meaning of the “artistic” approach in Simmel’s gnoseological conception in order to outline what could be considered his implicit method of analyzing cultural and social phenomena. Subsequently, I address Simmel’s genre-related choices and writing style in order to explore their relationship with his methodological and gnoseological thought. I also consider possible links between specific aspects of Simmel’s theory of knowledge and a few elements of early German Romanticism. Finally, I suggest possible parallels between Simmel’s gnoseological and methodological thought and practice and recent epistemological approaches in human sciences.I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



