A conversation with Italian artist (based in Venice) Maria Morganti on her daily practice. Quantifying and recording time is an affirmation of the artist's being-in-the-world, a manifesto of herself and her actions. The construction of taxonomies of color (and not only), which are different but complementary to each other, is a crucial gesture for Morganti. It is a self-interpretative activity that gives shape to what one could call "a visual autobiography", or rather, "an archive of time"; a title that the artist chose for her online archive (a sort of meta-archive) in which she has been collecting and organizing all of her work.

Io sono il mio archivio. L'archivio d'artista come tassonomia, manifesto, autoritratto

Baldacci, Cristina
;
2022-01-01

Abstract

A conversation with Italian artist (based in Venice) Maria Morganti on her daily practice. Quantifying and recording time is an affirmation of the artist's being-in-the-world, a manifesto of herself and her actions. The construction of taxonomies of color (and not only), which are different but complementary to each other, is a crucial gesture for Morganti. It is a self-interpretative activity that gives shape to what one could call "a visual autobiography", or rather, "an archive of time"; a title that the artist chose for her online archive (a sort of meta-archive) in which she has been collecting and organizing all of her work.
2022
L'archivio d'artista. Principi, regole e buone pratiche
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5021969
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