In this article the author proposes an overall reconsideration of the relationships of Marcantonio Raimondi with the Nordic engravers, paying constant attention to the surviving sources. Furthermore, a new analysis of some passages from the Vita di Marcantonio Bolognese, e d’altri intagliatori di stampe by Giorgio Vasari has allowed a different interpretation of the Italian reception of some prints by Lucas van Leyden as well as of the Portrait of Pietro Aretino executed by Marcantonio: one of the masterpieces of European Renaissance engraving, which, for the first time, is being read here in the light of knowledge of a genre of portraiture emerged in Norhtern Europe in the early 1500s, that combines bust portraits with elegant Latin (and Greek) epigraphs - very significative for Marcantonio has been some famous engravings by Albrecht Dürer.

Marcantonio Raimondi e i nordici

Fara, Giovanni Maria
2021-01-01

Abstract

In this article the author proposes an overall reconsideration of the relationships of Marcantonio Raimondi with the Nordic engravers, paying constant attention to the surviving sources. Furthermore, a new analysis of some passages from the Vita di Marcantonio Bolognese, e d’altri intagliatori di stampe by Giorgio Vasari has allowed a different interpretation of the Italian reception of some prints by Lucas van Leyden as well as of the Portrait of Pietro Aretino executed by Marcantonio: one of the masterpieces of European Renaissance engraving, which, for the first time, is being read here in the light of knowledge of a genre of portraiture emerged in Norhtern Europe in the early 1500s, that combines bust portraits with elegant Latin (and Greek) epigraphs - very significative for Marcantonio has been some famous engravings by Albrecht Dürer.
2021
Marcantonio Raimondi. Il primo incisore di Raffaello
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3751155
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