In this article the author proposes an overall reconsideration of the relationships of Marcantonio Raimondi with the Nordic engravers, paying constant attention to the surviving sources. Furthermore, a new analysis of some passages from the Vita di Marcantonio Bolognese, e d’altri intagliatori di stampe by Giorgio Vasari has allowed a different interpretation of the Italian reception of some prints by Lucas van Leyden as well as of the Portrait of Pietro Aretino executed by Marcantonio: one of the masterpieces of European Renaissance engraving, which, for the first time, is being read here in the light of knowledge of a genre of portraiture emerged in Norhtern Europe in the early 1500s, that combines bust portraits with elegant Latin (and Greek) epigraphs - very significative for Marcantonio has been some famous engravings by Albrecht Dürer.

Marcantonio Raimondi e i nordici

Fara, Giovanni Maria
2021

Abstract

In this article the author proposes an overall reconsideration of the relationships of Marcantonio Raimondi with the Nordic engravers, paying constant attention to the surviving sources. Furthermore, a new analysis of some passages from the Vita di Marcantonio Bolognese, e d’altri intagliatori di stampe by Giorgio Vasari has allowed a different interpretation of the Italian reception of some prints by Lucas van Leyden as well as of the Portrait of Pietro Aretino executed by Marcantonio: one of the masterpieces of European Renaissance engraving, which, for the first time, is being read here in the light of knowledge of a genre of portraiture emerged in Norhtern Europe in the early 1500s, that combines bust portraits with elegant Latin (and Greek) epigraphs - very significative for Marcantonio has been some famous engravings by Albrecht Dürer.
2021
Marcantonio Raimondi. Il primo incisore di Raffaello
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3751155
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