Le traduzione nel paesaggio poetico di Macau tra la diversità e la differenza culturale

Issues involving the definition of Macau's poetic corpus, the contour of its landscape or even its literature have accompanied the discursive variations on identities, as pointed out in Vanessa Cunha's (1998) study – naturalness – interculturality – Portugal. Since the transition period of the transference (1987 – 1999), the discourses about Portugality have been replaced by those of interculturality and, in parallel, that of naturalness has given way to that of “residentiality” due to its legal importance. This text seeks to verify how old and new demarcations and complicity seem to meet an imperative – cultural diversity – as a possible catalyst for a policy of social pacification. The situations of “identity crisis” seem to “tend towards conflict”. However, we should consider whether the concept of “diversity” related to philosophical relativism that appeared in some forms of anthropology would also not serve to encourage and accommodate certain consolidated forms of power.