The chapter focusses on the performative production of acclaimed British director Peter Greenaway. It claims this part of his production exemplifies a way to reinvent cinema thereby entering in the debate around the issues of the archive, as well as that on cinema's memory and nature as a specific medium.

Lupercyclopedia. Notes on the archive in the age of live cinema

Miriam Stefania De Rosa
2014

Abstract

The chapter focusses on the performative production of acclaimed British director Peter Greenaway. It claims this part of his production exemplifies a way to reinvent cinema thereby entering in the debate around the issues of the archive, as well as that on cinema's memory and nature as a specific medium.
2014
Cinema and Art as Archive: Form, Medium, Memory
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3744940
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