The essay is a chapter of ON FIGURE/S. DRAWING AFTER BELLMER (ISBN 978-1-910055-77-9). The chapter provides an analysis of The Return of the Invisible Woman, a series of collages made by Italian artist Chiara Fumai in 2014. The ten sheets that constitute the series are presented as a hypertext where words and images reveal a feminist pantheon of contemporary muses. Through the study of the collages, it is explained how Fumai's post-performative art critically relates to Vito Acconci's performance practice.

Vito A. in the Land of Whip. A Short Guide to Chiara Fumai's 'The Return of the Invisible Woman'

Francesco Ragazzi
2021-01-01

Abstract

The essay is a chapter of ON FIGURE/S. DRAWING AFTER BELLMER (ISBN 978-1-910055-77-9). The chapter provides an analysis of The Return of the Invisible Woman, a series of collages made by Italian artist Chiara Fumai in 2014. The ten sheets that constitute the series are presented as a hypertext where words and images reveal a feminist pantheon of contemporary muses. Through the study of the collages, it is explained how Fumai's post-performative art critically relates to Vito Acconci's performance practice.
2021
On Figure/s. Drawing After Bellmer
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3744440
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