“befreiteste Form”: Nietzsche reception in the journal DER STURM. The intense and diverse reception of Nietzsche in the avant-garde journal DER STURM has not been reviewed to a large extent yet. Focusing the goals, semantics, and keynotes of the authors of DER STURM, the article examines Nietzsche’s impact on cultural criticism, aesthetics, poetics, and regarding artistic practice. Thereby, it shows that Nietzsche primarily shapes the aesthetics of modernity as a master of the artistic form.
„Befreiteste Form“. Die Nietzscherezeption in der Zeitschrift: Der STURM (1910-1932)
Zittel C
2019-01-01
Abstract
“befreiteste Form”: Nietzsche reception in the journal DER STURM. The intense and diverse reception of Nietzsche in the avant-garde journal DER STURM has not been reviewed to a large extent yet. Focusing the goals, semantics, and keynotes of the authors of DER STURM, the article examines Nietzsche’s impact on cultural criticism, aesthetics, poetics, and regarding artistic practice. Thereby, it shows that Nietzsche primarily shapes the aesthetics of modernity as a master of the artistic form.
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