This chapter argues that Wittgenstein wasn’t a mere pretext for Paolozzi and that it is impossible to fully understand the artist’s work without considering his relationship to the Austrian philosopher. Furthermore, Paolozzi – as an artist– recognized various aspects of Wittgenstein’s thought and let them come to light in a period when they were still concealed to the majority of interpreters with a philosophical background. In this sense, the author demonstrates that Paolozzi’s work fully belongs to the general story of Wittgenstein’s critical reception. In order to do so, the chapter attempts a reconstruction of the cultural environment where Paolozzi met Wittgenstein, meant both as the general philosophical reception of Wittgenstein in the 1950s and 1960s, as well as Paolozzi’s direct testimony on his encounter with the Austrian philosopher. Eventually, the author systematically analyses several ‘wittgensteinian’ works of Paolozzi to understand how much of these works is borrowed from Wittgenstein, but also what of Wittgenstein and which Wittgenstein lives and acts in them.
|Data di pubblicazione:||2019|
|Titolo:||Paolozzi Reads Wittgenstein: Moments in a Research Process|
|Titolo del libro:||Paolozzi and Wittgenstein. The Artist and the Philosopher|
|Appare nelle tipologie:||3.1 Articolo su libro|
File in questo prodotto:
|6_Perissinotto_Paolozzi reads Wittgenstein.pdf||articolo su libro||Documento in Pre-print||Accesso gratuito (solo visione)||Open Access dal 04/08/2022|