By distancing it from historical revival (i.e., ‘Living History’), reenactment is here understood as artistic strategy as well as curatorial practice, and therefore as critical method. As artistic strategy it implies the reactivation (over time) and remediation (on different supports) of images stemming from a vast visual repertoire that artists — especially those working with time-based media (film, video, performance) — appropriate in order to give them new meanings. As curatorial practice and critical method, reenactment regards the remaking of impermanent artworks and the restaging of temporary exhibitions to possibly offer an understanding of (art) history that gives preference to a visual and performative, sometimes immersive, approach.
Cristina Baldacci (Corresponding)
|Data di pubblicazione:||2019|
|Titolo:||Reenactment: Errant Images in Contemporary Art|
|Titolo del libro:||Re-: An Errant Glossary|
|Digital Object Identifier (DOI):||http://dx.doi.org/10.25620/ci-15_07|
|Appare nelle tipologie:||3.1 Articolo su libro|