The birth of Studio Ghibli in 1985 confirmed the success of two artists that would have soon represented the best models in the world of Japanese animation: Hayao Miyazaki and Isao Takahata. Their heroines, in particular, created captivating trends in the new millennium, to the point that a large number of films inspired by their shōjos were produced after each single release. At the same time, this stimulating tendency intensified a new portion of web-based animation providing independent animators with the opportunity to widespread their art throughout the world.

Immagini, innovazione, poesia: l’animazione d’arte nel nuovo millennio

Maria Roberta Novielli
2018-01-01

Abstract

The birth of Studio Ghibli in 1985 confirmed the success of two artists that would have soon represented the best models in the world of Japanese animation: Hayao Miyazaki and Isao Takahata. Their heroines, in particular, created captivating trends in the new millennium, to the point that a large number of films inspired by their shōjos were produced after each single release. At the same time, this stimulating tendency intensified a new portion of web-based animation providing independent animators with the opportunity to widespread their art throughout the world.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3702583
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