My aim is to reconstruct the process through which freemason poets reshaped the concept of virtue in novel and productive ways. In fact, I believe that they contributed to create a new masonic morality, which combined spiritual and secular values. A new model of Great Man stemmed from this renovated ethos: the virtuous freemason. Between the late Eighteenth-Century and the early Nineteenth-century, freemason savants such as Voltaire, Lalande, Dupaty, Filangieri and Mascheroni became the object of a true cult, thanks to the poetic composition of their Brothers, anticipating the revolutionary secular cult of Marat and Napoleon’s personal propaganda.

Reshaping Virtue: The Case of Eighteenth-Century French and Italian Masonic Poetry

giulia Delogu
2016-01-01

Abstract

My aim is to reconstruct the process through which freemason poets reshaped the concept of virtue in novel and productive ways. In fact, I believe that they contributed to create a new masonic morality, which combined spiritual and secular values. A new model of Great Man stemmed from this renovated ethos: the virtuous freemason. Between the late Eighteenth-Century and the early Nineteenth-century, freemason savants such as Voltaire, Lalande, Dupaty, Filangieri and Mascheroni became the object of a true cult, thanks to the poetic composition of their Brothers, anticipating the revolutionary secular cult of Marat and Napoleon’s personal propaganda.
2016
Getting to the Third Degree. Fraternalism, Freemasonry and History
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3701336
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