The essay illustrates the premises and history of the first performance of Shakespeare’s Merchant of Venice in the Ghetto of Venice in 2016, a Ca'Foscari/Colombari production staged 400 years after the death of Shakespeare and 500 since the institution of the paradigmatic Jewish quarter where the play is ideally set.
The Merchant *in* Venice: Re-creating Shakespeare in the Ghetto
bassi, shaul
2017
Abstract
The essay illustrates the premises and history of the first performance of Shakespeare’s Merchant of Venice in the Ghetto of Venice in 2016, a Ca'Foscari/Colombari production staged 400 years after the death of Shakespeare and 500 since the institution of the paradigmatic Jewish quarter where the play is ideally set.
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