The essay illustrates the premises and history of the first performance of Shakespeare’s Merchant of Venice in the Ghetto of Venice in 2016, a Ca'Foscari/Colombari production staged 400 years after the death of Shakespeare and 500 since the institution of the paradigmatic Jewish quarter where the play is ideally set.
The Merchant *in* Venice: Re-creating Shakespeare in the Ghetto
bassi, shaul
2017-01-01
Abstract
The essay illustrates the premises and history of the first performance of Shakespeare’s Merchant of Venice in the Ghetto of Venice in 2016, a Ca'Foscari/Colombari production staged 400 years after the death of Shakespeare and 500 since the institution of the paradigmatic Jewish quarter where the play is ideally set.
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