This essay explores the threshold space between the writing for the page and the composing for the ear, between poetry as a written text and poetry as an oral composition for a performance, a reading, a public occasion like a funeral, a rally, a workers' gathering, etc. The main field of research here is the one related with poetry as a possible tool for struggle, peace, freedom. Various contexts and authors are analyzed, such as: South Africa under apartheid, Portugal under Salazar's dictatorship, the 1970s London, Nigeria, etc.
Canto un mondo libero: un percorso di coraggio
FAZZINI, Marco
2012-01-01
Abstract
This essay explores the threshold space between the writing for the page and the composing for the ear, between poetry as a written text and poetry as an oral composition for a performance, a reading, a public occasion like a funeral, a rally, a workers' gathering, etc. The main field of research here is the one related with poetry as a possible tool for struggle, peace, freedom. Various contexts and authors are analyzed, such as: South Africa under apartheid, Portugal under Salazar's dictatorship, the 1970s London, Nigeria, etc.
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