This essay explores the threshold space between the writing for the page and the composing for the ear, between poetry as a written text and poetry as an oral composition for a performance, a reading, a public occasion like a funeral, a rally, a workers' gathering, etc. The main field of research here is the one related with poetry as a possible tool for struggle, peace, freedom. Various contexts and authors are analyzed, such as: South Africa under apartheid, Portugal under Salazar's dictatorship, the 1970s London, Nigeria, etc.

Canto un mondo libero: un percorso di coraggio

FAZZINI, Marco
2012

Abstract

This essay explores the threshold space between the writing for the page and the composing for the ear, between poetry as a written text and poetry as an oral composition for a performance, a reading, a public occasion like a funeral, a rally, a workers' gathering, etc. The main field of research here is the one related with poetry as a possible tool for struggle, peace, freedom. Various contexts and authors are analyzed, such as: South Africa under apartheid, Portugal under Salazar's dictatorship, the 1970s London, Nigeria, etc.
Canto un mondo libero: pesia-canzone per la libertà
File in questo prodotto:
File Dimensione Formato  
libero.pdf

non disponibili

Tipologia: Abstract
Licenza: Licenza non definita
Dimensione 10.09 MB
Formato Adobe PDF
10.09 MB Adobe PDF   Visualizza/Apri

I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/10278/36288
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact