A critique of Adorno's theory of music and language. The essay explores the difficulties of Adorno in understanding contemporary classical music since the 50's and jazz. The essay suggests that Adorno's categories are dependent on the practices of writing in verbal-phonetic alphabet and writing music on the staff, also on the theme-development model.
Adorno (e Heidegger): linguaggio e musica
GOLDONI, Daniele
2005-01-01
Abstract
A critique of Adorno's theory of music and language. The essay explores the difficulties of Adorno in understanding contemporary classical music since the 50's and jazz. The essay suggests that Adorno's categories are dependent on the practices of writing in verbal-phonetic alphabet and writing music on the staff, also on the theme-development model.
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