For nearly a century, the concept of a twelfth-century renaissance has been integral to our understanding of the medieval Latin West. At the heart of any notion of renaissance is a Rome of the mind’s eye. This collection places Rome into the larger context of multilingual imaginations to reveal that Rome was both an object of fascination and contestation across the Mediterranean world. In Arabic, Greek, Hebrew, Latin, and Persian, in art, inscriptions, geographies, ritual practice, and itineraries, Rome was both held up as ideal and challenged as an authoritative center. These constructions of Rome could be deployed for renewal and reform, or to enhance or challenge papal or imperial authority because of the broad imaginative force of the ancient city.

This collection examines the image of Rome through Arabic, Greek, Hebrew, Latin, and Persian descriptions of the eternal city. Placing the twelfth-century renaissance into a Mediterranean context. The city of Rome is revealed as a multi-vocal object of desire and a contested ideal. © 2011 by Koninklijke Brill NV, Leiden, The Netherlands. All rights reserved.

Rome Re-imagined: Twelfth-Century Jews, Christians and Muslims Encounter the Eternal City

RICCIONI, Stefano
2011-01-01

Abstract

This collection examines the image of Rome through Arabic, Greek, Hebrew, Latin, and Persian descriptions of the eternal city. Placing the twelfth-century renaissance into a Mediterranean context. The city of Rome is revealed as a multi-vocal object of desire and a contested ideal. © 2011 by Koninklijke Brill NV, Leiden, The Netherlands. All rights reserved.
2011
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/28622
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