The intertwined analysis of Leo von Klenze’s memoranda of 1834, and the Royal Edict of 1837 sheds light on the works of restoration carried out on the Acropolis of Athens between 1834 and 1875. Klenze's perceptions on the restorations of ancient temples are defined considering his conceptual ambiguities on Romanticism and Neoclassicism.
‘Marmi inutili da vendere o riutilizzare’. Le aporie di Leo Von Klenze per i restauri dell’Acropoli di Atene e la legge di tutela emanata in Grecia nel 1837
Chiara Mannoni
2014
Abstract
The intertwined analysis of Leo von Klenze’s memoranda of 1834, and the Royal Edict of 1837 sheds light on the works of restoration carried out on the Acropolis of Athens between 1834 and 1875. Klenze's perceptions on the restorations of ancient temples are defined considering his conceptual ambiguities on Romanticism and Neoclassicism.
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