Within Carducho’s Painting dialogues (1633), there is a series of poems of highly contextual sense and strongly polemic intention, that deserves to be examined because of the gallery of poets in action (everyone from Lope’s circle), as well as for the artistic arguments used, and its direct relation with the engravings of the book, that presents the texts as xylographic poetry, and, therefore, doubly artistic.
Las armas de la poesía: los poemas de los Diálogos de la pintura (1633) de Carducho
Adrián J. Sáez
2020-01-01
Abstract
Within Carducho’s Painting dialogues (1633), there is a series of poems of highly contextual sense and strongly polemic intention, that deserves to be examined because of the gallery of poets in action (everyone from Lope’s circle), as well as for the artistic arguments used, and its direct relation with the engravings of the book, that presents the texts as xylographic poetry, and, therefore, doubly artistic.
File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
SAEZ.Poemas.Dialogos.Carducho.pdf
accesso aperto
Tipologia:
Documento in Post-print
Licenza:
Creative commons
Dimensione
883.28 kB
Formato
Adobe PDF
|
883.28 kB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
