This chapter argues that UK artists at the end of the 20th century were confronted with the utter absence of Kunsthalle-like spaces in their country, but they set forth to independently organise such exhibition venues and to produce artworks or installations that would fit in there, in order to speak a global language.
Mimicking Spatial Aesthetics: the Kunsthalle-effect on Young British Artists
Diego Mantoan
2018-01-01
Abstract
This chapter argues that UK artists at the end of the 20th century were confronted with the utter absence of Kunsthalle-like spaces in their country, but they set forth to independently organise such exhibition venues and to produce artworks or installations that would fit in there, in order to speak a global language.
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