Marco Dalla Gassa’s is both an accurate historical reconstruction of the traveling and filming of Michelangelo Antonioni through Asia (India, China, Japan) and a relevant theoretical intervention in auteur theory vis-à-vis the archive of minor and ephemeral works. Focusing on the afterlife of his video diary in Japan, Dalla Gassa offers a compelling argument on the status of the traveling auteur in the postmodern age.
Like a Mobile, Living Archive. Antonioni the Traveler
Marco Dalla Gassa
2020-01-01
Abstract
Marco Dalla Gassa’s is both an accurate historical reconstruction of the traveling and filming of Michelangelo Antonioni through Asia (India, China, Japan) and a relevant theoretical intervention in auteur theory vis-à-vis the archive of minor and ephemeral works. Focusing on the afterlife of his video diary in Japan, Dalla Gassa offers a compelling argument on the status of the traveling auteur in the postmodern age.
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