This contribution is based on a new interpretation of the well-known passage found in the Description of the church of the Holy Apostles at Constantinople by Nikolaos Mesarites (XXVIII, 63.18-64.3 Heisenberg = 910b.[23] Downey), normally dated to the late twelfth century. It provides a reappraisal of the question regarding the Byzantine painter Eulalios and his alleged self-portrait in one of the scenes of the monument's decorative cycle.
A literary self-portrait of Nikolaos Mesarites
Beatrice Daskas
2016-01-01
Abstract
This contribution is based on a new interpretation of the well-known passage found in the Description of the church of the Holy Apostles at Constantinople by Nikolaos Mesarites (XXVIII, 63.18-64.3 Heisenberg = 910b.[23] Downey), normally dated to the late twelfth century. It provides a reappraisal of the question regarding the Byzantine painter Eulalios and his alleged self-portrait in one of the scenes of the monument's decorative cycle.
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