The paper aims to present a short fragment of a vernacular poetry manuscript (end of 14th c.), found in codex Lat. Z 478 (= 1661) of Venice's Biblioteca Nazionale Marciana. In particular, the author studies the contribution of this unknown witness to the text of the canzone Io guardo i crespi e i biondi capelli by Fazio degli Uberti, in the light of the stemma codicum Lorenzi had drawn in his recent critical edition of Fazio's poems (Pisa, 2013). Furthermore, the author examines the text transmitted by the Marcian codex of the pseudo-Boccaccian canzone Subita volontà, nuovo accidente. The essay is followed by the critical edition and by the commentary (focusing on linguistic, philological and literary aspects) of two unpublished sonnets.
Un nuovo testimone per le rime di Fazio degli Uberti
LORENZI, Cristiano
2016-01-01
Abstract
The paper aims to present a short fragment of a vernacular poetry manuscript (end of 14th c.), found in codex Lat. Z 478 (= 1661) of Venice's Biblioteca Nazionale Marciana. In particular, the author studies the contribution of this unknown witness to the text of the canzone Io guardo i crespi e i biondi capelli by Fazio degli Uberti, in the light of the stemma codicum Lorenzi had drawn in his recent critical edition of Fazio's poems (Pisa, 2013). Furthermore, the author examines the text transmitted by the Marcian codex of the pseudo-Boccaccian canzone Subita volontà, nuovo accidente. The essay is followed by the critical edition and by the commentary (focusing on linguistic, philological and literary aspects) of two unpublished sonnets.I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.