This is an essay on Rilke's only novel "The Notebooks of Malte Laurids Brigge" (1910), contained in Franco Moretti's collection "The novel". The essay analyzes Rilke's novel within the context of the 'Sprachskepsis' and Nietzsche's influence on German culture, and with special regard to Rilke's theory and philosophy of art as 'ontodicy' ("poetische Ontodizee").

The Notebooks of Malte Laurids Brigge (Rainer Maria Rilke, 1910).

LAVAGETTO, Andreina
2006-01-01

Abstract

This is an essay on Rilke's only novel "The Notebooks of Malte Laurids Brigge" (1910), contained in Franco Moretti's collection "The novel". The essay analyzes Rilke's novel within the context of the 'Sprachskepsis' and Nietzsche's influence on German culture, and with special regard to Rilke's theory and philosophy of art as 'ontodicy' ("poetische Ontodizee").
2006
The Novel, Volume 2: Forms and Themes, Princeton University Press, Princeton and Oxford 2006.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/16538
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